書名 : Critical design in Japan :material culture, luxury, and the avant-garde /
紀錄類型 : 書目-語言資料,印刷品: 單行本
正題名[資料類型標示]/作者 : Critical design in Japan :Ory Bartal ; translation and additional editing by Maya Shimony.
其他題名 : material culture, luxury, and the avant-garde /
其他題名 : Material culture, luxury, and the avant-garde
作者 : Bartal, Ory.
其他作者 : Shimony, Maya.
版本項 : 1st ed.
出版者 : Manchester :Manchester University Press,cc2020.
面頁冊數 : xiii, 233 p. :ill. (chiefly col.) ;25 cm.
附註 : Issued as part of book collections on Project MUSE.
內容註 : Postmodern critiques, Japan's economic miracle, and the new aesthetic milieu -- The 1968 social uprising and subversive advertising design in Japan : the work of Ishioka Eiko and Suzuki Hachiro -- From cute to Rei Kawakubo : fashion and protest -- Mujirushi Ryohin and the absence of style -- Hironen and the representation of the other -- Digital design as social and critical design in the twenty-first century.
標題 : Avant-garde (Aesthetics)
ISBN : 9781526139979
集叢項 : Studies in design & material culture
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100 1 $aBartal, Ory.
245 10$aCritical design in Japan :$bmaterial culture, luxury, and the avant-garde /$cOry Bartal ; translation and additional editing by Maya Shimony.
246 30$aMaterial culture, luxury, and the avant-garde
250 $a1st ed.
260 $aManchester :$bManchester University Press,$ccc2020.
300 $axiii, 233 p. :$bill. (chiefly col.) ;$c25 cm.
490 1 $aStudies in design & material culture
500 $aIssued as part of book collections on Project MUSE.
504 $aIncludes bibliographical references (p. [214]-225) and index.
505 0 $aPostmodern critiques, Japan's economic miracle, and the new aesthetic milieu -- The 1968 social uprising and subversive advertising design in Japan : the work of Ishioka Eiko and Suzuki Hachiro -- From cute to Rei Kawakubo : fashion and protest -- Mujirushi Ryohin and the absence of style -- Hironen and the representation of the other -- Digital design as social and critical design in the twenty-first century.
520 $aThis book tells the story of critical avant-garde design in Japan, which emerged during the 1960s and continues to inspire designers today. The practice communicates a form of visual and material protest drawing on the ideologies and critical theories of the 1960s and 1970s, notably feminism, body politics, the politics of identity, and ecological, anti-consumerist and anti-institutional critiques, as well as the concept of otherness. It also presents an encounter between two seemingly contradictory concepts: luxury and the avant-garde. The book challenges the definition of design as the production of unnecessary decorative and conceptual objects, and the characterisation of Japanese design in particular as beautiful, sublime or a product of 'Japanese culture'. In doing so it reveals the ways in which material and visual culture serve to voice protest and formulate a social critique.
650 0$aAvant-garde (Aesthetics)$zJapan.
650 0$aDesign$zJapan.
650 0$aMaterial culture$zJapan.
653 $a文化創意
653 $a人文藝術
700 1 $aShimony, Maya.
830 0$aStudies in design & material culture.