書名 : Early modern actors and Shakespeare's theatre :thinking with the body /
紀錄類型 : 書目-語言資料,印刷品: 單行本
正題名[資料類型標示]/作者 : Early modern actors and Shakespeare's theatre :Evelyn Tribble.
其他題名 : thinking with the body /
作者 : Tribble, Evelyn B.
版本項 : Pbk. ed.
出版者 : London ;The Arden Shakespeare,c2019.
面頁冊數 : ix, 227 p. ;20 cm.
內容註 : Mindful Bodies: Skill Ecologies in Early modern England -- Opening Simon Jewell's Box: The Player's Toolkit -- 'Skill of weapon' -- Dancing, Music, and Song -- The Skill Behind the Skills: Elocution, Memory, 'Vigilancy,' and 'Pregnancy of Wit' -- Conclusion: Reading Through the Lens of Skill.
標題 : Acting
ISBN : 9781472576026
LEADER 02402cam a2200253 a 4500
001 1048544
008 200930s2019 enk b 001 0 eng
020 $a9781472576026$q(pbk.) :$cNT$818
020 $a1472576020$q(pbk.)
035 $aNO000196972
037 $b公共圖書館臺南分區資源中心
040 $aUKMGB$beng$cUKMGB$dOCLCO$dOCLCF$dMHD$dMNG$dYDX$dTNTNM$eaacr2
043 $ae-uk-en
050 4$aPN2071.M6$bT75 2019
082 04$a792.02/8094209031$222
090 $a臺南市立圖書館
100 1 $aTribble, Evelyn B.
245 10$aEarly modern actors and Shakespeare's theatre :$bthinking with the body /$cEvelyn Tribble.
250 $aPbk. ed.
260 $aLondon ;$aNew York :$bThe Arden Shakespeare,$cc2019.
300 $aix, 227 p. ;$c20 cm.
504 $aIncludes bibliographical references and index.
505 0 $aMindful Bodies: Skill Ecologies in Early modern England -- Opening Simon Jewell's Box: The Player's Toolkit -- 'Skill of weapon' -- Dancing, Music, and Song -- The Skill Behind the Skills: Elocution, Memory, 'Vigilancy,' and 'Pregnancy of Wit' -- Conclusion: Reading Through the Lens of Skill.
520 $aWhat skills did Shakespeare's actors bring to their craft? How do these skills differ from those of contemporary actors? Early Modern Actors and Shakespeare's Theatre: Thinking with the Body examines the 'toolkit' of the early modern player and suggests new readings of the plays of Shakespeare and his contemporaries through the lens of their many skills. Theatre is an ephemeral medium. Little remains to us of the plays of Shakespeare and his contemporaries: some printed texts, scattered documents and records, and a few scraps of description, praise, and detraction. Because most of what survives are printed playbooks, students of English theatre find it easy to forget that much of what happened on the early modern stage took place within the gaps of written language: the implicit or explicit calls for fights, dances, military formations, feats of physical skill, song, and clowning. Theatre historians and textual editors have often ignored or denigrated such moments, seeing them merely as extraneous amusements or signs that the text has been 'corrupted' by actors. This book argues that recapturing a positive account of the skills and expertise of the early modern players will result in a more capacious understanding of the nature of theatricality in the period.
650 0$aActing$xHistory$y16th century.
650 0$aActing$xHistory$y17th century.
650 0$aActors$zEngland$xHistory$y16th century.
650 0$aActors$zEngland$xHistory$y17th century.
650 0$aTheater$zEngland$xHistory$y16th century.
650 0$aTheater$zEngland$xHistory$y17th century.
653 $a人文藝術
653 $a文化創意