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The cinema of Ang Lee :the other side of the screen /

The cinema of Ang Lee :the other side of the screen /

作者 : Dilley, Whitney Crothers.

出版社 : Wallflower Press,

出版年 : 2015

ISBN:9780231167734

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SRRC20100549 新總館罕用書庫(需線上調閱) 新總館罕用書庫(需線上調閱) EKN 791.43 D578 2015 在架   資源中心知識性西文書   0   預約
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書名 : The cinema of Ang Lee :the other side of the screen /

紀錄類型 : 書目-語言資料,印刷品: 單行本

正題名[資料類型標示]/作者 : The cinema of Ang Lee :Whitney Crothers Dilley.

其他題名 : the other side of the screen /

作者 : Dilley, Whitney Crothers.

版本項 : Second edition.

出版者 : New York :Wallflower Press,[2015].

面頁冊數 : 231 p. ;25 cm.

內容註 : Introduction: Ang Lee: a history -- Ang Lee as director: his position in Asian and world cinema -- Confucian values and cultural displacement in Pushing hands -- Transgressing boundaries of gender and culture in The wedding banquet -- Globalization and cultural identity in Eat drink man woman -- Opposition and resolution in sense and sensibility -- Fragmentary narratives/fragmented identities in The ice storm -- Race, gender, class, and social identity in Ride with the devil -- Wuxia narrative and transnational Chinese identity in Crouching tiger, hidden dragon -- The ultimate outsider: Hulk -- Transcending gender in Brokeback Mountain -- Eroticism and performance in Lust/Caution -- Memory, narrative, and transformation in Taking Woodstock -- Storytelling and truth in Life of Pi: a spiritual journey -- Conclusion: the dream of cinema.

標題 : Lee, Ang,

ISBN : 9780231167734 (pbk.) :

集叢項 : Directors' cuts.


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245 14$aThe cinema of Ang Lee :$bthe other side of the screen /$cWhitney Crothers Dilley.
250 $aSecond edition.
260 $aNew York :$bWallflower Press,$c[2015].
300 $a231 p. ;$c25 cm.
490 1 $aDirectors' cuts.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: Ang Lee: a history -- Ang Lee as director: his position in Asian and world cinema -- Confucian values and cultural displacement in Pushing hands -- Transgressing boundaries of gender and culture in The wedding banquet -- Globalization and cultural identity in Eat drink man woman -- Opposition and resolution in sense and sensibility -- Fragmentary narratives/fragmented identities in The ice storm -- Race, gender, class, and social identity in Ride with the devil -- Wuxia narrative and transnational Chinese identity in Crouching tiger, hidden dragon -- The ultimate outsider: Hulk -- Transcending gender in Brokeback Mountain -- Eroticism and performance in Lust/Caution -- Memory, narrative, and transformation in Taking Woodstock -- Storytelling and truth in Life of Pi: a spiritual journey -- Conclusion: the dream of cinema.
600 10$aLee, Ang,$d1954-$xCriticism and interpretation.
653 $a知識性
830 0$aDirectors' cuts.

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