LEADER 03639cam a2200289 a 4500
001 1096051
008 210930s2020 njua e 000 0 eng d
010 $a 2020933991
020 $a9780691165264$q(hbk.) :$cUSD39.95
020 $a0691165262$q(hbk.) :$cUSD39.95
035 $aNO000213121
037 $b公共圖書館臺南分區資源中心
040 $aTOH$beng$eaacr2$cTOH$dYDX$dOCLCQ$dBDX$dERASA$dTOH$dOCLCO$dOCLCF$dTWTNM
041 1 $aeng$hger
050 4$aNB623.B9$bP2513 2020
082 04$a709.2$222
090 $a臺南市立圖書館
100 1 $aPanofsky, Erwin,$d1892-1968.
240 10$aGestaltungsprincipien Michelangelos, besonders in ihrem Verhältnis zu denen Raffaels.$lEnglish.
245 10$aMichelangelo's design principles, particularly in relation to those of Raphael /$cErwin Panofsky ; edited from the author's literary remains and with an introduction by Gerda Panofsky ; translated by Joseph Spooner.
260 $aPrinceton, NJ :$bPrinceton University Press,$cc2020.
300 $alxxx, 323 p. :$bill. ;$c24 cm.
500 $aTranslation of : Gestaltungsprincipien Michelangelos, besonders in ihrem Verhältnis zu denen Raffaels
505 0 $aPart 1: Premises-Material Histories: Raphael and the Works of Michelangelo -- Michelangelo and the Works of Other Masters -- Part 2: Inferences-Stylistic Analyses: Section 1. The Representation of the Individual Figure in Art: The Design of the Body in Classic Art, Especially Raphael (The Principle of Centred Unfolding) -- The Design of the Body in Michelangelo (The Principles of Centred Unfolding and Cubic Constraint in Conflict) -- The Organization of Form in the Plane Countercheck: The 'Single-Viewpoint Character' of Michelangelo's Sculpture -- The Conception of Man as Regards the Constitution of his Psyche -- Bibliography (reconstructed by Gerda Panofsky) -- Appendix 1: Other Arrangements of the Material -- Appendix 2: Notes on the Draft Designs for the Façade of San Lorenzo, Florence -- List of Non-German Expressions (compiled by the translator).
520 $aIn 2012, a manuscript by renowned art historian Erwin Panofsky was rediscovered in a safe in Munich, in the basement of the Central Institute for Art History. Hidden for decades among folders and administrative files was Panofsky's thesis on Michelangelo-originally submitted to Hamburg University in March of 1920, abandoned when Panofsky fled Hitler's Germany in 1934, and thought to have been destroyed in the Allied bombings. A century on, Michelangelo's Design Principles makes this remarkable work available for the first time in English. Casting Panofsky's thought in an entirely new light, Michelangelo's Design Principles is the legendary scholar's only book-length examination of the art of the Italian Renaissance. He provides a compelling analysis of Michelangelo's artistic style and deftly compares it with that of Raphael, situating both Renaissance masters in the broader context of Western art. This illuminating book offers unique perspectives on Panofsky's early intellectual development and the state of research on Michelangelo and the High Renaissance at a period of transition in art history, when formalist readings of artworks began to take precedence over a biographical approach. Featuring an introduction by Gerda Panofsky that discusses the history of the manuscript and the significance of its rediscovery, Michelangelo's Design Principles is a crucial link between Panofsky's formalist training as a young art historian and his later work in iconology.
546 $aTranslated from the German.
600 00$aMichelangelo Buonarroti,$d1475-1564.
600 00$aRaphael,$d1483-1520.
650 0$aArt criticism$xHistory$y20th century.
650 0$aArt, Renaissance$zItaly.
653 $a知識性
653 $a人文藝術
700 1 $aPanofsky-Soergel, Gerda,$d1929-
700 1 $aSpooner, Joseph.
765 0 $tGestaltungsprincipien Michelangelos, besonders in ihrem Verhältnis zu denen Raffaels