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Early music :a very short introduction /

Early music :a very short introduction /

作者 : Kelly, Thomas Forrest.

出版社 : Oxford University Press,

出版年 : 2011

ISBN:9780199730766

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31204004968781 裕文開架閱覽區 裕文開架閱覽區 W 780.9 K298 2011 在架   西文書   0   預約
31204004968773 公園總館開架閱覽區 公園總館開架閱覽區 W 780.9 K298 2011 在架   西文書   0   預約
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書名 : Early music :a very short introduction /

紀錄類型 : 書目-語言資料,印刷品: 單行本

正題名[資料類型標示]/作者 : Early music :Thomas Forrest Kelly.

其他題名 : a very short introduction /

作者 : Kelly, Thomas Forrest.

出版者 : New York :Oxford University Press,c2011.

面頁冊數 : 130 p. :ill. ;18 cm.

內容註 : What does "early music" mean? -- Repertories: medieval -- Repertories: renaissance -- Repertories: baroque -- Performing issues -- The modern early-music revival.

標題 : Performance practice (Music).

ISBN : 9780199730766 (pbk.) :

集叢項 : Very short introductions ;265.


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490 1 $aVery short introductions ;$v265.
504 $aIncludes bibliographical references (p. 123-124) and index.
505 0 $aWhat does "early music" mean? -- Repertories: medieval -- Repertories: renaissance -- Repertories: baroque -- Performing issues -- The modern early-music revival.
520 $aFrom Gregorian chant to Bach's Brandenburg Concerti, the music of the Medieval, Renaissance, and Baroque periods is both beautiful and intriguing, expanding our horizons as it nourishes our souls. In this Very Short Introduction, Thomas Forrest Kelly provides not only a compact overview of the music itself, but also a lively look at the many attempts over the last two centuries to revive it. Kelly shows that the early-music revival has long been grounded in the idea of spontaneity, of excitement, and of recapturing experiences otherwise lost to us--either the rediscovery of little-known repertories or the recovery of lost performing styles, with the conviction that, with the right performance, the music will come to life anew. Blending musical and social history, he shows how the Early Music movement in the 1960s took on political overtones, fueled by a rebellion against received wisdom and enforced conformity. Kelly also discusses ongoing debates about authenticity, the desirability of period instruments, and the relationship of mainstream opera companies and symphony orchestras to music that they often ignore, or play in modern fashion [Publisher description].
650 0$aPerformance practice (Music).
650 0$aMusic$xInterpretation (Phrasing, dynamics, etc.).
650 0$aMusic$xHistory and criticism$y500-1400.
650 0$aMusic$xHistory and criticism$y15th century.
650 0$aMusic$xHistory and criticism$y16th century.
650 0$aMusic$xHistory and criticism$y17th century.
830 0$aVery short introductions ;$v265.

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