LEADER 03137cam a2200265 a 4500
001 1048437
008 200930s2019 enkag b 001 0 eng
010 $a2019007845
020 $a9781107111257$q(hbk.) :$cNT$3349
020 $a1107111250$q(hbk.)
035 $aNO000196919
037 $b公共圖書館臺南分區資源中心
040 $aDLC$beng$cDLC$dOCLCF$dOCLCO$dOCL$dERASA$dUKMGB$dTJC$dCHVBK$dOCLCO$dTNTNM$eaacr2
042 $apcc
050 00$aML1705$bN56 2019
082 00$a782.109/034$222
090 $a臺南市立圖書館
245 00$aNineteenth-century opera and the scientific imagination /$cedited by David Trippett, Benjamin Walton.
246 3 $a19th-century opera and the scientific imagination
260 $aCambridge, UK ;$aNew York, NY :$bCambridge University Press,$cc2019.
300 $axv, 381 p. :$bill., music ;$c26 cm.
504 $aIncludes bibliographical references (p. 335-374) and index.
505 00$gIntroduction :$tThe laboratory and the stage /$rDavid Trippett and Benjamin Walton --$gPart I.$tVoices.$tPneumotypes : Jean de Reszke's high pianissimos and the occult sciences of breathing /$rJames Q. Davies ;$tVocal culture in the age of laryngoscopy /$rBenjamin Steege ;$tOperatic fantasies in early nineteenth-century psychiatry /$rCarmel Raz ;$tOpera and hypnosis : Victor Maurel's experiments with Verdi's Otello /$rCéline Frigau Manning --$gPart II.$tEars.$tHearing in the music of Hector Berlioz /$rJulia Kursell ;$tFrom distant sounds to Aeolian ears : Ernst Kapp's auditory prosthesis /$rDavid Trippett ;$tWagner, hearing loss and the urban soundscape of nineteenth-century Germany /$rJames Deaville --$gPart III.$tTechnologies.$tScience, technology and love in late eighteenth-century opera /$rDeirdre Loughridge ;$tTechnological phantoms of the Opéra /$rBenjamin Walton ;$tCircuit listening /$rEllen Lockhart --$gPart IV.$tBodies.$tExcelsior as mass ornament : the reproduction of gesture /$rGavin Williams ;$tAutomata, physiology and opera in the nineteenth century /$rMyles W. Jackson ;$tWagnerian manipulation : Bayreuth and nineteenth-century sciences of the mind /$rJames Kennaway ;$tUnsound seeds /$rAlexander Rehding.
520 8 $aScientific thinking has long been linked to music theory and instrument making, yet the profound and often surprising intersections between the sciences and opera during the long nineteenth century are here explored for the first time. These touch on a wide variety of topics, including vocal physiology, theories of listening and sensory communication, technologies of theatrical machinery and discourses of biological degeneration. Taken together, the chapters reveal an intertwined cultural history that extends from backstage hydraulics to drawing-room hypnotism, and from laryngoscopy to theatrical aeronautics. Situated at the intersection of opera studies and the history of science, the book therefore offers a novel and illuminating set of case studies, of a kind that will appeal to historians of both science and opera, and of European culture more generally from the French Revolution to the end of the Victorian period.--Book jacket.
650 0$aMusic and science$xHistory$y19th century.
650 0$aOpera$y19th century.
653 $a人文藝術
653 $a文化創意
700 1 $aTrippett, David,$d1980-
700 1 $aWalton, Benjamin,$d1972-