LEADER 03547pam a2200253 a 4500
001 939633
005 20190426092822.0
008 190514s2016 gw a g b 000 0dger d
010 $a 2016952252
020 $a9783791355764 (hbk.) :$cNT$1575
040 $aTWTNM$beng$dTWTNM
041 0 $ager$aeng
050 00$aND497.B16$bA4 2016b
082 04$a700.411$222
100 1 $aBacon, Francis,$d1909-1992,$eartist.
245 10$aFrancis Bacon :$bUnsichtbare Räume = Invisible rooms /$cherausgegeben von Staatsgalerie Stuttgart, Ina Conzen.
246 30$aUnsichtbare Räume.
246 30$aInvisible rooms.
246 31$aFrancis Bacon :$binvisible rooms.
260 $aMunich :$bPrestel,$c[2016].
300 $a256 p. :$bill. (some color), portraits ;$c29 cm.
500 $aCatalog of an exhibition held at Tate Liverpool, May 18-September 18, 2016, and at Staatsgalerie Stuttgart, October 7, 2016-January 8, 2017.
504 $aIncludes bibliographical references.
505 00$gVorwort =$gForeword /$rChristiane Lange --$gGrusswort =$gWelcome /$rAxel Nawrath --$tDie Realität des Künstlichen :$tBetrachtungen zu den "unsichtbaren Räumen" von Francis Bacon =$tThe reality of the artificial :$tThoughts on Francis Bacon's "invisible rooms" /$rIna Conzen --$tGemälde =$tPaintings --$t"Das Bild einfangen" : Francis Bacons Arbeiten auf Papier der Jahre um 1950 bis 1963 =$t"To trap the image" :$tFrancis Bacon's works on paper c. 1950-1963 /$rLauren Barnes --$tZeichnungen =$tDrawings --$tArchivalien =$tArchive material --$t"Paint" und "Colour" :$tModi der Farbe bei Francis Bacon =$t"Paint" and "color" :$tA closer look at Francis Bacon's pictorial idioms /$rPia Littmann --$tBühnen der Sensation :$tBildraum und Perspektive bei Francis Bacon =$tStages of sensation :$tPictoral space and perspective in Francis Bacon /$rChristian Spies --$tFrancis Bacon :$tVier Wände =$tFrancis Bacon :$tFour Walls /$rMartin Lewis Harrison --$tFotografien =$tPhotographs --$t"So viel Gewalt in meinen Leben" :$tFrancis Bacon-- eine Kurzbiografie =$t"Daily violence that I've experienced all my life" :$tFrancis Bacon-- a brief biography.
520 8 $aThis beautifully illustrated book on the work of Francis Bacon, one of the 20th century's greatest painters, takes an in-depth look at his trademark motif of figures imprisoned within ghostly frames. Arguably one of the most influential and original painters of the 20th century, Francis Bacon painted haunting portraits that employed themes of crucifixion, torment, and isolation. Incorporating the insights of 'The Logic of Sensation', French philosopher Gilles Deleuze's seminal criticism of Bacon's work, this volume highlights Bacon's approach to space as one of the defining forces of his work. By organizing the spatial and dramatic structure of his compositions with barely visible cubic or elliptical cages, his figures become trapped in a kind of invisible room. This sense of confinement creates a direct, unsettling impression on the viewer, and further emphasizes the painter's dark vision. This book features stunning reproductions of 40 large-scale paintings, including 'Study for a Portrait' (1952), 'Chimpanzee' (1955), 'Three Studies of the Male Back' (1970), and 'Sand Dune' (1983) as well as a selection of rarely exhibited works on paper. This book also contains a seriesof essays that explore the range of variation in Bacon's use of isolating constructions over a period of nearly 50 years, as well as the nature of his painting technique and compositions. Exhibition: Staatsgalerie Stuttgart, Germany (07.10.2016-08.01.2017).
546 $aParallel text in German and English.
600 10$aBacon, Francis,$d1909-1992$vExhibitions.
650 0$aPainting, British$y20th century$vExhibitions.
650 0$aDrawing, British$y20th century$vExhibitions.
700 1 $aConzen, Ina,$eeditor.
710 2 $aTate Gallery Liverpool,$ehost institution.
710 2 $aStaatsgalerie Stuttgart,$ehost institution.