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Black Hollywood :from butlers to superheroes, the changing role of African American men in the movies /

Black Hollywood :from butlers to superheroes, the changing role of African American men in the movies /

作者 : Fain, Kimberly,,1974-

出版社 : Praeger, an imprint of ABC-Clio, Llc,

出版年 : 2015

ISBN:9781440831904|9781440831911

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TN0201162 6-新營文化中心圖書館3F 新營文化中心圖書館3F W 791.43 F162 2015 在架   西文書   0   預約
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書名 : Black Hollywood :from butlers to superheroes, the changing role of African American men in the movies /

紀錄類型 : 書目-語言資料,印刷品: 單行本

正題名[資料類型標示]/作者 : Black Hollywood :Kimberly Fain.

其他題名 : from butlers to superheroes, the changing role of African American men in the movies /

作者 : Fain, Kimberly,

出版者 : Santa Barbara, California :Praeger, an imprint of ABC-Clio, Llc,c2015.

面頁冊數 : xxi, 251 p. ;25 cm.

內容註 : Introduction: appropriation, exploitation, and agency of black performers in Hollywood -- Black images from the Jim Crow era to the McCarthy era of blacklisting. 1910s: whites in blackface and the sexually depraved black Mandingo-The birth of a nation -- 1920s: Oscar Micheaux's response to blackface and D.W. Griffith -- 1930s: the Hays Moral Code and Jim Crow-The emperor Jones and Gone with the wind -- 1940s: Bill "Bojangles" Robinson and Lincoln "Stepin Fetchit" Perry: black servants in musicals and comedies -- 1950s: McCarthyism and blacklisting: Canada Lee and Paul Robeson -- Black images from the apex of the civil rights era to the age of Barack Obama -- 1960s: token black actors in the civil rights age: Sidney Poitier and Harry Belafonte -- 1970s: blaxploitation: preachers, pimps, pushers, and players -- 1980s: black comedians rule: in the age of Eddie Murphy and Richard Pryor -- 1990s: gangsta rappers transcend music: Ice Cube, Ice-T, DMX, Nas, and 2pac -- 2000s: black icons: control, agency, and self-appropriation: Spike Lee, Tyler Perry and Will Smith -- 2010s: black power Hollywood: In the age of Obama's hope and change -- Conclusion.

標題 : African American men in motion pictures.

ISBN : 9781440831904 (hbk.) :


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300 $axxi, 251 p. ;$c25 cm.
504 $aIncludes bibliographical references (p. [231]-238) and index.
505 0 $aIntroduction: appropriation, exploitation, and agency of black performers in Hollywood -- Black images from the Jim Crow era to the McCarthy era of blacklisting. 1910s: whites in blackface and the sexually depraved black Mandingo-The birth of a nation -- 1920s: Oscar Micheaux's response to blackface and D.W. Griffith -- 1930s: the Hays Moral Code and Jim Crow-The emperor Jones and Gone with the wind -- 1940s: Bill "Bojangles" Robinson and Lincoln "Stepin Fetchit" Perry: black servants in musicals and comedies -- 1950s: McCarthyism and blacklisting: Canada Lee and Paul Robeson -- Black images from the apex of the civil rights era to the age of Barack Obama -- 1960s: token black actors in the civil rights age: Sidney Poitier and Harry Belafonte -- 1970s: blaxploitation: preachers, pimps, pushers, and players -- 1980s: black comedians rule: in the age of Eddie Murphy and Richard Pryor -- 1990s: gangsta rappers transcend music: Ice Cube, Ice-T, DMX, Nas, and 2pac -- 2000s: black icons: control, agency, and self-appropriation: Spike Lee, Tyler Perry and Will Smith -- 2010s: black power Hollywood: In the age of Obama's hope and change -- Conclusion.
650 0$aAfrican American men in motion pictures.
650 0$aMasculinity in motion pictures.

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