書名 : A moment's monument :Medardo Rosso and the international origins of modern sculpture /
紀錄類型 : 書目-語言資料,印刷品: 單行本
正題名[資料類型標示]/作者 : A moment's monument :Sharon Hecker.
其他題名 : Medardo Rosso and the international origins of modern sculpture /
其他題名 : Medardo Rosso and the international origins of modern sculpture
作者 : Hecker, Sharon.
出版者 : Oakland, CA :University of California Press,c2017.
面頁冊數 : xvii, 341 p., [16] p. of plates :ill. (some col.) ;27 cm.
內容註 : Laying the foundations for an anti-heroic approach to modern sculpture -- Monuments without idols -- "Impressionist sculptor?" : the impossibility of categorizing Rosso -- Internationalism and experimentation -- The artist's experience of migration -- The shifting viewpoint of the outsider -- Seeing and being seen : reimagining the encounter among artist, artwork, and the public -- On the move : the quest for international recognition.
標題 : Rosso, Medardo,
標題 : Sculpture, Italian
ISBN : 9780520294486 (hbk.) :
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035 $aNO000162305
037 $b公共圖書館臺南分區資源中心
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090 $a臺南市立圖書館
100 1 $aHecker, Sharon.
245 12$aA moment's monument :$bMedardo Rosso and the international origins of modern sculpture /$cSharon Hecker.
246 30$aMedardo Rosso and the international origins of modern sculpture
260 $aOakland, CA :$bUniversity of California Press,$cc2017.
300 $axvii, 341 p., [16] p. of plates :$bill. (some col.) ;$c27 cm.
504 $aIncludes bibliographical references and index.
505 0 $aLaying the foundations for an anti-heroic approach to modern sculpture -- Monuments without idols -- "Impressionist sculptor?" : the impossibility of categorizing Rosso -- Internationalism and experimentation -- The artist's experience of migration -- The shifting viewpoint of the outsider -- Seeing and being seen : reimagining the encounter among artist, artwork, and the public -- On the move : the quest for international recognition.
520 $a"Medardo Rosso (1858-1928) is one of the most original and influential figures in the history of modern art, and this book is the first historically substantiated critical account of his life and work. An innovative sculptor, photographer, and draughtsman, Rosso was a key figure in the transition from the traditional forms of sculpture that persisted through the nineteenth century to the experimental forms that developed in the twentieth. His antimonumental, antiheroic work reflected alienation in the modern experience yet also showed deep feeling for interactions between self and other. Rosso's art was also transnational: he refused allegiance to a single culture or artistic heritage and declared himself both a citizen of the world and a maker of art without national limits. In this book, Sharon Hecker develops a narrative that is an alternative to the dominant Franco-centered perspective on the origin of modern sculpture in which Rodin plays the role of lone heroic innovator. Offering an original way to comprehend Rosso, A Moment's Monument negotiates the competing cultural imperatives of nationalism and internationalism that shaped the European art world at the fin de siècle"--Provided by publisher.
600 10$aRosso, Medardo,$d1858-1928$xCriticism and interpretation.
650 0$aSculpture, Italian$y19th century.
650 0$aSculpture, Italian$y20th century.
653 $a文化創意
653 $a人文藝術