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Contemporary Hollywood animation :style, storytelling, culture and ideology since the 1990s /

Contemporary Hollywood animation :style, storytelling, culture and ideology since the 1990s /

作者 : Brown, Noel.

出版社 : Edinburgh University Press,

出版年 : 2021

ISBN:1474410561|9781474410564

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SRRC20103481 新總館3F分區資源中心-文化創意 新總館3F分區資源中心-文化創意 ECC 791.43340973 B879 2021 在架   資源中心文化創意西文書   0   預約
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書名 : Contemporary Hollywood animation :style, storytelling, culture and ideology since the 1990s /

紀錄類型 : 書目-語言資料,印刷品: 單行本

正題名[資料類型標示]/作者 : Contemporary Hollywood animation :Noel Brown.

其他題名 : style, storytelling, culture and ideology since the 1990s /

其他題名 : Style, storytelling, culture and ideology since the 1990s

作者 : Brown, Noel.

出版者 : Edinburgh :Edinburgh University Press,2021.

面頁冊數 : ix, 216 p. :ill. ;25 cm.

內容註 : Change and continuity: the making of contemporary Hollywood animation : Production trends ; Animation and Hollywood cinema since the 1970s ; Style and aesthetics ; Storytelling and narrative ; Critical approach -- Crossing boundaries: families, audiences and the mainstream aesthetic : The family audience ; Repositioning the family: The lion king and Toy story ; Family and kinship ; Family and individualism ; Child-adult crossovers -- Hollywood animation, late modernity and contemporary America : Postmodern irony: DreamWorks and beyond ; Social comment and contemporary America ; Conclusion -- Ways of being: identity and Hollywood animation : Disney in transition: sexual politics in the early films of the 'Disney Renaissance' ; Diversity and contemporary Disney films ; Women and the contemporary princess film ; Models of masculinity ; Conclusion -- On the borders: children's horror and Indiewood animation : Children's horror and contemporary Hollywood ; 'Indiewood' animation ; Hybridisation ; Conclusion -- Conclusion.

標題 : Animated films

ISBN : 9781474410564

集叢項 : Traditions in American cinema


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245 10$aContemporary Hollywood animation :$bstyle, storytelling, culture and ideology since the 1990s /$cNoel Brown.
246 30$aStyle, storytelling, culture and ideology since the 1990s
260 $aEdinburgh :$bEdinburgh University Press,$c2021.
300 $aix, 216 p. :$bill. ;$c25 cm.
490 1 $aTraditions in American cinema
504 $aIncludes bibliographical references (p. 209-212), filmography (p. 206-208) and index.
505 0 $aChange and continuity: the making of contemporary Hollywood animation : Production trends ; Animation and Hollywood cinema since the 1970s ; Style and aesthetics ; Storytelling and narrative ; Critical approach -- Crossing boundaries: families, audiences and the mainstream aesthetic : The family audience ; Repositioning the family: The lion king and Toy story ; Family and kinship ; Family and individualism ; Child-adult crossovers -- Hollywood animation, late modernity and contemporary America : Postmodern irony: DreamWorks and beyond ; Social comment and contemporary America ; Conclusion -- Ways of being: identity and Hollywood animation : Disney in transition: sexual politics in the early films of the 'Disney Renaissance' ; Diversity and contemporary Disney films ; Women and the contemporary princess film ; Models of masculinity ; Conclusion -- On the borders: children's horror and Indiewood animation : Children's horror and contemporary Hollywood ; 'Indiewood' animation ; Hybridisation ; Conclusion -- Conclusion.
520 8 $aA cultural history of the contemporary Hollywood animated feature, from Toy Story to The Lego Movie. Examines critically a range of prominent contemporary Hollywood animated features. Reveals the aspects which make these texts attractive to multiple audience sections. Situates the genre in its social, cultural, and industrial contexts. Contributes to current debates on children's media. Until the 1990s, animation occupied a relatively marginal presence in Hollywood. Today, it is at the very heart of both the film industry and contemporary popular culture. Charting the major changes and continuities in Hollywood animation over the past thirty years, this groundbreaking book offers an authoritative history of Hollywood animation since the 1990s. Analysing dozens of key films, including The Lion King, Toy Story, Shrek, Despicable Me, Frozen and Moana, it examines the emergence of new genres and stylistic approaches, as well as the ongoing blurring of boundaries between animation and live-action. Identifying narrative and thematic patterns, and the developments in industry and style, the book explores how animation in the United States both responds to and recapitulates the values, beliefs, hopes and fears of the nation.
650 0$aAnimated films$zUnited States$xHistory and criticism.
653 $a文化創意
653 $a人文藝術
830 0$aTraditions in American cinema.

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