LEADER 04509cam a2200301 ab4500
001 1096073
008 210930s2018 si a e b 001 0 eng d
020 $a9789811086083$q(hbk.) :$cEUR49.99
020 $a9811086087$q(hbk.) :$cEUR49.99
035 $aNO000213086
037 $b公共圖書館臺南分區資源中心
040 $aN$T$beng$eaacr2$cN$T$dEBLCP$dYDX$dUAB$dOCLCF$dOCLCQ$dMERER$dTWTNM
041 0 $aeng
050 4$aPN2860
082 04$a792.095$222
090 $a臺南市立圖書館
100 1 $aTuan, Iris Hsin-chun.
245 10$aTranslocal performance in Asian theatre and film /$cIris H. Tuan.
260 $aSingapore :$bPalgrave Macmillan,$cc2018.
300 $axiii, 177 p. :$bill. ;$c22 cm.
490 1 $aPalgrave pivot
504 $aIncludes bibliographical references and index.
505 0 $aIntro; Dedication; Acknowledgments; Contents; List of Figures; Chapter 1: Introduction; Theatricalizing Translation: Literature, Performance, and Film; Chapter 2; Chapter 3; Chapter 4; Chapter 5; Chapter 6; Chapter 7; Chapter 8; Chapter 9; Chapter 10; Chapter 11; Bibliography; Chapter 2: Methodologies: From Postcolonial Feminism and Creolization Toward Translocal; Figures of Interculturalism; The Combined Theories Influence the Translocal; Bibliography; Part I: Intercultural Theatre in Taiwan.
505 8 $aChapter 3: Contemporary Legend Theatre's A Midsummer Night's Dream: Tradition, Modernity, and TranslocalityTradition of Shakespeare's Legacy and Chinese Peking Opera; History of Modern Asian Shakespeare Performances in Taiwan; CLT's A Midsummer Night's Dream; Reception; Conclusion; Bibliography; Websites; Chapter 4: Yukio Ninagawa's Hamlet in Taiwan: Intercultural Representation; Introduction; The Aesthetics of Ninagawa's Hamlet in Taiwan; Audience Reception in Taiwan; Conclusion; Bibliography; Websites; Chapter 5: Theater Represents Literature: Love and Labor in To Send Away Under Escort.
505 8 $aChapter 8: Irresistible Seduction and Translocal Labor of Musical Theater in Taiwan: From Translation to Multi-artsIntroduction; Translocality of Musical Theater; Translation Theory; Translocal Labor of Translation; Reception; Asian Original Creations; Plot, Reception, Impact; Theme, Reception, Comments; Adaptation; Authentic Faithful Presentation of the Foreign Language; Multi-art; Hakka Musical "Xiangsi Nostalgia"; Critics' and Scholars' Comments; Comparison of the Two Hakka Musicals; Conclusion; Bibliography; Chapter 9: Spectacle, Adaptation, and Sexuality in Chinese Musicals.
505 8 $aIntroductionPlaywright Tuan's Writing Style; Feminism; Nostalgia and Local Appeal to Universal and Global; From Literature to Performance; Conclusion; Bibliography; Part II: From Local to Global: Hakka, Dance, Chinese Musical, and Film; Chapter 6: Change of Hakka Opera: Ethnicity and Creation in Hakka Musical and Hakka TV Drama; Background of Hakka Culture, Community, and Performance Forms; Hakka Drama; Challenges in Innovations and Attracting New Audiences; American Musical Theater; Shakespeare Adaptation; Hakka Version; Performance Review; Analysis of Adaptation Elements.
505 8 $aSocial Construction of Hakka CultureWedding Preparation; Construction of Hakka Culture; Hakka Drama Sin-Yong-Guang Troupe on Hakka TV; The Yang's Ninth Sister; Conclusion; Bibliography; Chinese Materials; Websites; Others; Video-Audio Materials; Interview; Chapter 7: Hakka Culture and Image in Film and Performance; Introduction; Cultural Mobility; Case Studies; The Movie My Native Land; Neo-Classic Dance Company's "The Drifting Fate of Hakka"; The Music Concert "Belongingness in Heart is Your Native Land"; Translocality; Conclusion; Bibliography.
520 $aThis pivot offers an innovative, trans-local perspective on performance studies in the era of digital technology, considering a range of content from theater to opera, film, dance, and musical theatre. It examines theatre performing arts and film in terms of aesthetics, gender studies, and identity politics, and showcases the value of human accomplishments in theatre and film and their representative artistic works. It also addresses key issues within performance studies, such as gender, class, race, ethnicity, identity, and how minorities portray their ethnicity stories. This book links the trans-national and the trans-local and considers how emerging mobile geographies and new methodologies of interpreting performance in theatre and film reflect the transformations of our understanding of geopolitical time and space.
650 0$aMotion pictures$zAsia.
650 0$aTheater$zAsia.
653 $a知識性
653 $a人文藝術
830 0$aPalgrave pivot.