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After Debussy :music, language, and the margins of philosophy /

After Debussy :music, language, and the margins of philosophy /

作者 : Johnson, Julian.

出版社 : Oxford University Press,

出版年 : 2020

ISBN:0190066822|9780190066826

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SRRC20103186 新總館3F分區資源中心-知識性 新總館3F分區資源中心-知識性 EKN 780.92 J67 2020 在架   資源中心知識性西文書   0   預約
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書名 : After Debussy :music, language, and the margins of philosophy /

紀錄類型 : 書目-語言資料,印刷品: 單行本

正題名[資料類型標示]/作者 : After Debussy :Julian Johnson.

其他題名 : music, language, and the margins of philosophy /

其他題名 : Music, language, and the margins of philosophy

作者 : Johnson, Julian.

出版者 : New York, NY :Oxford University Press,c2020.

面頁冊數 : xix, 373 p. :col. ill., music ;25 cm.

標題 : Debussy, Claude,

標題 : Music and language.

ISBN : 9780190066826


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100 1 $aJohnson, Julian.
245 10$aAfter Debussy :$bmusic, language, and the margins of philosophy /$cJulian Johnson.
246 30$aMusic, language, and the margins of philosophy
260 $aNew York, NY :$bOxford University Press,$cc2020.
300 $axix, 373 p. :$bcol. ill., music ;$c25 cm.
504 $aIncludes bibliographical references (p. 309-363) and index.
520 $a"This book explores an idea of music, exemplified by the work of Debussy, in dialogue with a parallel movement in French literary and philosophical thought. Its central thesis is that modern music and philosophy converge on the same set of problems but from opposite directions. Through close readings of selected musical works it argues that Debussy's rethinking of the relation between sound and grammar anticipates and complements the defining problem of modern philosophy - the gap between language and a sensory relation to the world, between abstract systems of signification and embodied experience. Although its principal focus is the music of Debussy, it ranges widely across French music from Fauré and Ravel to Dutilleux, Boulez, Grisey, Murail, and Saariaho. It ranges similarly through a set of French writers and philosophers, from Mallarmé and Proust to Merleau-Ponty, Jankélévitch, Derrida, Lyotard, and Nancy. Frequent reference is made to the visual arts (Rodin, Monet, Bonnard, Cezanne, Matisse). It explores the idea that this current of French music, running through the long twentieth century from Debussy to the present, makes sense in a manner that affords a different way of knowing the world, foregrounding sound over syntax, and sense over signification."--Back cover.
600 10$aDebussy, Claude,$d1862-1918$xCriticism and interpretation.
650 0$aMusic and language.
650 0$aMusic$xPhilosophy and aesthetics.
653 $a知識性
653 $a人文藝術

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