LEADER 02186pam 2200229 a 4500
001 943899
005 20190426092822.0
008 190514s2016 nyua g b 000 0deng d
010 $a 2016917058
020 $a9783791356181 (hbk.) :$cNT$2100
040 $aTWTNM$beng$dTWTNM
050 00$aND237.K75$bA4 2016
082 04$a700.411$222
100 1 $aKrushenick, Nicholas,$d1929-1999,$eartist.
245 10$aNicolas Krushenick :$belectric soup /$cedited by Ian Berry ; essays by Harry Cooper, Barry Schwabsky.
246 30$aElectric soup.
246 18$aKrushenick.
260 $aNew York :$bFrances Young Tang Teaching Museum and Art Gallery at Skidmore College ;$aMunich :$c2016.$bDelMonico Books, an imprint of Prestel,
300 $a279 p. :$bill. (chiefly color) ;$c30 cm.
500 $a"This publication accompanies the exhibition Nicholas Kurshenick: Electric Soup at the Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, New York, February 7-August 16, 2015"--Colophon.
500 $aIncludes interview with artist.
504 $aIncludes bibliographical references (pages 272-275).
505 00$tTurned on /$rIan Berry --$tThe poetry that is he :$tKrushenick in and out of context /$rBarry Schwabsky --$tSome kind of insane structure of painting /$rHarry Cooper --$tInterview with Nicholas Krushenick, 1968 /$rPaul Cummings --$gCatalogue of the exhibition --$gArchive.$tDon Cyr, 1967 ;$tRobert Rosenblum, 1967 ;$tJohn Perreault, 1967 ;$tDean Swanson, 1968 ;$tJohn Perreault, 1969 ;$tCorinne Robins, 1969 ;$tCorinne Robins, 1975 ;$tJ. Bowyer Bell, 1997 ;$tJohn Yau, 2007 ;$tKen Johnson, 2011 ;$tStephen Westfall, 2015 --$tExhibition history /$rcompiled by Jenna Postler.
520 8 $aJuxtaposing broad black lines with bold, flat Liquitex colors, Krushenick created hard-edged abstractions that fill his canvases from corner to corner. His energetic forms used experiments in cut paper collage as a springboard, creating an aesthetic all his own that earned him the title 'father of Pop abstraction.' This book offers a mix of archival writings and interviews with new perspectives on the artist who is largely considered a precursor to Pop Art. Preparatory drawings, early collages, and scenes of Krushenick in his studio offer insight into the artist's creative process, while newly commissioned essays take a fresh look at a remarkable oeuvre.
600 10$aKrushenick, Nicholas,$d1929-1999$vExhibitions.
600 10$aKrushenick, Nicholas,$d1929-1999$vInterviews.
600 10$aKrushenick, Nicholas,$d1929-1999$xCriticism and interpretation.
650 0$aPainters$zUnited States$vInterviews.
650 0$aPainting, Abstract$zUnited States$vExhibitions.
650 0$aPop art$zUnited States$vExhibitions.
650 0$aArt, Abstract$zUnited States$vExhibitions.
700 1 $aBerry, Ian,$d1971-$eeditor.
700 1 $aCooper, Harry,$d1959-$econtributor.
700 1 $aSchwabsky, Barry,$econtributor.
710 2 $aFrances Young Tang Teaching Museum and Art Gallery,$eissuing body