LEADER 02146cam a2200229 a 4500
001 978711
005 20190926092822.0
008 190930s2017 iluaf g b 001 0 eng d
010 $a2017033940
020 $a9780226505572 (hbk.) :$cNT1423
035 $aNO000181034
037 $a公共圖書館臺南分區資源中心
040 $aTWTNM$beng$dTWTNM
050 00$aN6537.W28$bF58 2017
082 04$a700.92$222
090 $a臺南市立圖書館
100 1 $aFlatley, Jonathan.
245 10$aLike Andy Warhol /$cJonathan Flatley.
260 $aChicago :$bThe University of Chicago Press,$c2017.
300 $a274 pages :$billustrations ;$c26 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: like -- Collecting and collectivity -- Art machine -- Allegories of boredom -- Skin problems.
520 $aThere are over 30 books about Andy Warhol. Jonathan Flatley's will be the first that is truly comprehensive-- there's so much more to Warhol than the famous silk screens of Marilyn Monroe or the Campbell's soup cans--and the first to reveal the internal logic of the artist's life and his aesthetic activities, showing what binds them together, enabling us to see his art and life as a totality. Here's a partial inventory of Warhol's doings: movies (this includes Warhol's affection for bad acting), his collecting (jewelry, Art Deco furniture, perfumes, conversation tapes [10,000 hours], snapshots [66,000], even scores of Polaroids of male genitals [visitors to his studio were asked to drop their pants for the camera]), and, in addition to the silk screens, the paintings, drawings, prints, sculptures, as well as novels and memoirs, there was even a monthly gossip magazine. For one two-year period, everyone who came to his studio (the Factory) was obliged to take a screen test, a collectivity of misfits misfitting together. Warhol had an extraordinary talent for liking things. Flatley appropriates liking as a central theme here, showing how Warhol helps us see likeness across differences. Like Andy Warhol is the best full-length study of the artist--and no single artist today is more representative of postmodern culture than Warhol.--$cProvided by publisher.
600 10$aWarhol, Andy,$d1928-1987.
653 $a知識性