LEADER 01933cam a2200265 a 450
001 1158585
008 230731s2023 flu e b 001 0 eng
010 $a 2022034949
020 $a9781032148892$q(hbk.) :$cUSD44.99
035 $aNO000235654
037 $b公共圖書館臺南分區資源中心
040 $aDLC$beng$cDLC$dTWTNM
050 00$aNC1766.C6$bB63 2023
082 0 $a791.43340951$223
090 $a臺南市立圖書館
100 1 $aBobrowska, Olga.
245 10$aChinese animated film and ideology, 1940s-1970s :$bfighting puppets /$cOlga Bobrowska.
246 30$aFighting puppets
250 $a1st ed.
260 $aBoca Raton :$bCRC Press, Taylor & Francis Group,$c2023.
300 $axii, 184 p. ;$c23 cm.
490 1 $aCRC focus
490 1 $aFocus animation series
504 $aIncludes bibliographical references and index.
520 $a"Chinese Animated Film and Ideology, 1940s-1970s examines animated propaganda produced in mainland China in the 1940s to 1970s. The analyses of four puppet films demonstrate how animation and Maoist doctrine became tightly but dynamically entangled. The book firstly contextualizes the production conditions and ideological contents of The Emperor's Dream (1947), the first animated film made at the Northeast Film Studio in Changchun. It then examines the artistic, intellectual, and ideological backbone of the puppet film Wanderings of Sanmao (1958). The book presents means and methods applied in puppet animation filmmaking that complied with the ideological principles established by the radical supporters of Mao Zedong in the first half of the 1960s, discussing Rooster Crows at Midnight (1964). The final chapter discusses The Little 8th Route Army (1973), created by You Lei in the midst of the Cultural Revolution. This book will be of great interest to those in the fields of animation studies, film studies, political science, Chinese area studies, and Chinese philology"--$cProvided by publisher.
600 10$aMao, Zedong,$d1893-1976$xPhilosophy.
650 0$aAnimated films$zChina$xHistory and criticism.
650 0$aMotion pictures in propaganda$zChina.
650 0$aMotion pictures$xPolitical aspects$zChina.
653 $a人文藝術
653 $a文化創意
830 0$aFocus animation series.
830 0$aCRC focus series.