LEADER 01899cam a2200229 a 4500
001 1096074
008 210930s2020 si a e b 001 0 eng d
020 $a9789811572968$q(hbk.) :$cEUR89.99
020 $a9811572968$q(hbk.) :$cEUR89.99
035 $aNO000213080
037 $b公共圖書館臺南分區資源中心
040 $aEBLCP$beng$eaacr2$cEBLCP$dYDX$dLEATE$dOCLCO$dEBLCP$dOCLCF$dGW5XE$dUKMGB$dTWTNM
041 0 $aeng
050 4$aPN1584
082 04$a791.4$222
090 $a臺南市立圖書館
100 1 $aTuan, Iris Hsin-chun.
245 10$aPop with gods, Shakespeare, and AI :$bpopular film, (musical) theatre, and TV drama /$cIris H. Tuan.
260 $aSingapore :$bPalgrave Macmillan,$cc2020.
300 $axxv, 210 p. :$bcol. ill. ;$c22 cm.
504 $aIncludes bibliographical references and index.
520 $aApplying the theories of Popular Culture, Visual Culture, Performance Studies, (Post)Feminism, and Film Studies, this interdisciplinary and well-crafted book leads you to the fascinating and intriguing world of popular film, (musical) theatre, and TV drama. It explores the classical and contemporary cases of the literature works, both Eastern and Western, adapted, represented and transformed into the interesting artistic medium in films, performances, TV dramas, musicals, and AI robot theatre/films. Iris H. Tuan is Professor at National Chiao Tung University, Taiwan. She received her Ph.D. in Theater from UCLA and has been a Visiting Scholar at Harvard University. Tuans selected publications include papers published by Asian Theatre Journal, and nine books, including Translocal Performance in Asian Theatre and Film, Intercultural Theatre: Adaptation and Representation, Western Canon in Taiwan Theatre , Alternative Theater in Taiwan, and Transnational Performance, Identity, and Mobility in Asia (edited with Ivy I-chu Chang). Tuan is the recipient of NCTU Outstanding Research Awards.
650 0$aMotion pictures.
650 0$aPerforming arts.
650 0$aPopular culture.
653 $a知識性
653 $a人文藝術