LEADER 01612cam a2200217 a 4500
001 978633
005 20190926092822.0
008 190930t20192019enk g bq 001 0 eng d
015 $aGBB914172$2bnb
020 $a9780719082986 (hbk.) :$cNT3637
035 $aNO000181036
037 $a公共圖書館臺南分區資源中心
040 $aTWTNM$beng$dTWTNM
050 4$aPN1995.9.P6$bB38 2019
082 04$a791.436581$222
090 $a臺南市立圖書館
100 1 $aBeasley, Chris.
245 14$aThe cultural politics of contemporary Hollywood film :$bpower, culture and society /$cChris Beasley and Heather Brook.
260 $aManchester :$bManchester University Press,$c[2019]
300 $axi, 367 pages ;$c23 cm.
504 $aIncludes bibliographical references (pages 292-337), filmography (pages 338-359), and index.
520 8 $aAdopting and developing a 'cultural politics' approach, this comprehensive study explores how Hollywood movies generate and reflect political myths about social and personal life that profoundly influence how we understand power relations. Instead of looking at genre, it employs three broad categories of film. 'Security' films present ideas concerning public order and disorder, citizen-state relations and the politics of fear. 'Relationalities' films highlight personal and intimate politics, bringing norms about identities, gender and sexuality into focus. In 'socially critical' films, particular issues and ideas are endowed with more overtly political significance. The book considers these categories as global political technologies implicated in hegemonic and 'soft power' relations whose reach is both deep and broad. --.
650 0$aPolitics in motion pictures.
650 0$aMotion pictures$zCalifornia$zLos Angeles$xHistory$y20th century.
650 0$aMotion pictures$zCalifornia$zLos Angeles$xHistory$y21st century.
653 $a文化創意
700 1 $aBrook, Heather.