LEADER 02669nam a2200241 a 4500
001 852855
008 181005t20171993ctua g 000 0 eng d
020 $a9780300230918 (hbk.) :$cNT$1501
020 $a0300230915 (hbk.)
035 $aNO000162282
035 $aNO000162282
037 $b公共圖書館臺南分區資源中心
040 $aDLC$beng$eaacr2$cDLC$dUKM$dBAKER$dNLGGC$dBTCTA$dLVB$dYDXCP$dDST$dCNCGM$dZWZ$dHALAN$dBDX$dOCLCF$dOCLCQ$dSFR$dDHA$dNYP$dCSA$dOCL$dYDX$dUHC$dOKX$dTWTNM
050 00$aNC997$b.R27 1993
082 04$a741.6092$bR187$222
090 $a臺南市立圖書館
100 1 $aRand, Paul,$d1914-1996.
245 10$aDesign, form, and chaos /$cPaul Rand.
260 $aNew Haven, CT :$bYale University Press,$c2017, c1993
300 $axii, 218 p. :$bill. (chiefly col.) ;$c27 cm.
504 $aIncludes bibliographical references.
505 0 $aForm + Content -- Good Design Is Goodwill -- Intuition and Ideas -- Logos ... Flags ... Street Signs -- The Presentation -- Next -- The Limited -- The IBM Logo -- AdStar Advanced Storage and Retrieval -- IDEO Design -- Morningstar Investment Advisers -- Computers, Pencils, and Brushes -- Aspects of Book Design -- A Mentor -- From Cassandre to Chaos.
520 $aPaul Rand's stature as one of the world's leading graphic designers is incontestable. For half a century his pioneering work in the field of advertising design and typography has exerted a profound influence on the design profession; he almost single-handedly transformed "commercial art" from a practice that catered to the lowest common denominator of taste to one that could assert its place among the other fine arts. Among the numerous clients for whom he has been a consultant and/or designer are the American Broadcasting Company, IBM Corporation, and Westinghouse Electric Corporation. In this witty and instructive book, Paul Rand speaks about the contemporary practice of graphic design, explaining the process and passion that foster good design and indicting faddism and trendiness. Illustrating his ideas with examples of his own stunning graphic work as well as with the work of artists he admires, Rand discusses such topics as: the values on which aesthetic judgments are based; the part played by intuition in good design; the proper relationship between management and designers; the place of market research; how and when to use computers in the production of a design; choosing a typeface; principles of book design; and the thought processes that lead to a final design. The centerpiece of the book consists of seven design portfolios -with diagrams and ultimate choices - that Rand used to present his logos to clients such as Next, IDEO, and IBM.
600 10$aRand, Paul,$d1914-1996$xCriticism and interpretation.
650 0$aDesign.
650 0$aCommercial art.
653 $a文化創意
653 $a人文藝術