LEADER 02616cam a2200241 a 4500
001 1048413
008 200930s2019 enka b 001 0 eng
020 $a9781784995171$q(hbk.) :$cNT$2977
020 $a1784995177$q(hbk.)
035 $aNO000196920
037 $b公共圖書館臺南分區資源中心
040 $aEUM$beng$cEUM$dOCLCO$dYDXIT$dOCLCO$dYDXIT$dYDX$dDEBBG$dOCLCO$dVT2$dOCL$dOCLCO$dNUI$dOCLCA$dL2U$dOCLCA$dU3G$dERASA$dBDX$dUKMGB$dOCLCF$dOCLCA$dOCLCQ$dRCE$dOCLCQ$dOCLCO$dOCL$dTNTNM$eaacr2
043 $ae-fr---
050 4$aPN1997.85$b.F74 2019
082 04$a791.430944$222
090 $a臺南市立圖書館
245 00$aFrench literature on screen /$cedited by Homer B. Pettey and R. Barton Palmer.
260 $aManchester :$bManchester University Press,$cc2019.
300 $axiii, 250 p. :$bill. ;$c25 cm.
504 $aIncludes bibliographical references (p. [230]-240) and index.
505 00$aMachine generated contents note:$g1.$tIntroduction: screening French literature /$rR. Barton Palmer --$g2.$tThe spectacle of Monte Cristo /$rJennifer L. Jenkins --$g3.$tAdultery and adulteration in film versions of Flaubert's Madame Bovary /$rColin Davis --$g4.$tFor the first time on screen together: Madame Bovary and Les Miserables in 1934 /$rDudley Andrew --$g5.$tThe Americanization of Victor Hugo: Darryl F. Zanuck's Les Miserables (1935) /$rGuerric DeBona --$g6.$tFrom heterotopia to metatopia: staging Carmen's death /$rPhil Powrie --$g7.$tFrom the Recherche on film toward a Proustian cinema /$rSteven Ungar --$g8.$tOtto Preminger's Bonjour, Tristesse: a tale of three women, if not more /$rR. Barton Palmer --$g9.$tAdapting Pagnol and Provence /$rJeremy Strong --$g10.$tMaigret on screen: stardom and literary adaptation /$rGinette Vincendeau --$g11.$tThe making and remaking of Therese Desqueyroux: one novel, two films /$rSusan Hayward --$g12.$tElle (2016), rape, and adaptation /$rHomer B. Pettey.
520 8 $aThis collection presents new essays in the complex field of French literary adaptation. Using a variety of textual and interpretive approaches, it sheds light on issues of gender, sexuality, class, politics and social conventions while acknowledging a range of contexts, from the commercial to the archival and the aesthetic. The chapters, written by eminent international scholars, run chronologically from The Count of Monte Cristo through Proust and Bonjour, Tristesse to Philippe Djian's Oh. (adapted for the screen as Elle). Collectively, they fill a need for contemporary discussions on the significance of France's literary representations in the history of global cinema.
650 0$aFrench literature$xFilm adaptations$xHistory and criticism.
650 0$aFrench literature$xHistory and criticism.
650 0$aMotion pictures$zFrance$xHistory$y20th century.
653 $a人文藝術
653 $a文化創意
700 1 $aPettey, Homer B.
700 1 $aPalmer, R. Barton,$d1946-