LEADER 02403cam a2200289 a 4500
001 1096047
008 210930s2020 nyua e b 001 0 eng d
010 $a 2019035717
020 $a9780231194198$q(pbk.) :$cUSD35.00
020 $a0231194196$q(pbk.) :$cUSD35.00
020 $a9780231194181$q(hbk.)
020 $a0231194188$q(hbk.)
035 $aNO000213111
037 $b公共圖書館臺南分區資源中心
040 $aDLC$beng$eaacr2$cDLC$dTWTNM
041 0 $aeng
050 00$aPN1995.9.P6$bB74 2020
082 00$a791.43/658$222
090 $a臺南市立圖書館
100 1 $aBreger, Claudia.
245 10$aMaking worlds :$baffect and collectivity in contemporary European cinema /$cClaudia Breger.
246 30$aAffect and collectivity in contemporary European cinema
260 $aNew York, NY :$bColumbia University Press,$cc2020.
300 $a336 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references (p. [219]-324) and index.
505 0 $aAffects in Configuration: Controversy and Conviviality in Fatih Akın's The Edge of Heaven and Asghar Farhadi's A Separation -- Critical Intensity: Jean-Luc Godard's and Rainer Werner Fassbinder's Defamiliarized Worldmaking Practices -- Genre. Or, Simple Stories? Affective Incisions in Akın's The Cut and Ari Kaurismäki's Refugee Trilogy -- Tenderly Cruel Realisms: Objectfull Assembly and the Horizon of a Shared World --Epilogue: Reconfiguring Resistance.
520 $a"The twenty-first century has seen an intensification of racial violence, religious chauvinism, class division, and the politics of hatred in the West. In Making Worlds, Claudia Breger argues that contemporary European art house cinema provides ways of thinking about and producing new types of collectivities in response to these political trends. In readings of key contemporary European films such as Michael Haneke's The White Ribbon, Aki Kaurismaki's Le Havre, and Inarritu's Biutiful, Breger examines the ways in which these films produce unexpected and frequently destabilizing affects that invite viewers to imagine new connections among individuals. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with positive alternatives. Instead, they produce new sensibilities, responses, and affects among viewers that allow them to see the world in new ways."--Provided by publisher.
650 0$aMotion pictures$xSocial aspects$zEurope.
650 0$aAffect (Psychology) in motion pictures.
650 0$aMotion pictures$xAesthetics.
650 0$aMotion pictures$xPolitical aspects$zEurope.
653 $a文化創意
653 $a人文藝術