LEADER 03034cam a2200313 a 4500
001 1048800
008 200930s2019 nyua b 001 0 eng
010 $a2018054005
020 $a9780231191630$q(pbk.) :$cNT$782
020 $a0231191634$q(pbk.)
035 $aNO000196974
037 $b公共圖書館臺南分區資源中心
040 $aLBSOR/DLC$beng$cDLC$dOCLCO$dOCLCQ$dOCLCF$dUUM$dMOZ$dCWR$dCHVBK$dOCLCO$dZWZ$dZQP$dZLM$dQGK$dYDX$dNYP$dYDX$dBKL$dOUN$dTNTNM$eaacr2
041 1 $aeng$hjpn
042 $apcc
043 $aa-ja---
050 00$aPN1993.5.J3$bN542513 2019
082 00$a791.430952$222
090 $a臺南市立圖書館
100 1 $aYomota, Inuhiko,$d1953-
240 10$a日本映画史110年.$lEnglish
245 10$aWhat is Japanese cinema? :$ba history /$cYomota Inuhiko ; translated by Philip Kaffen.
260 $aNew York :$bColumbia University Press,$cc2019.
300 $axviii, 228 p. :$bill. ;$c22 cm.
500 $a"Originally published in the Japanese as Nihon eigash 110 nen (Tokyo: Shueisha, 2014)"--Title page verso.
500 $aTranslated from the Japanese.
504 $aIncludes bibliographical references (p. [201]-213) and index.
505 0 $aMotion pictures: 1896-1918 -- The rise of silent film: 1917-1930 -- The first golden age: 1927-1940 -- Japanese cinema during wartime -- Film production in the colonies and occupied lands -- Japanese cinema under American occupation: 1945-1952 -- Toward a second golden age: 1952-1960 -- Upheaval amidst steady decline: 1961-1970 -- Decline and torpor: 1971-1980 -- The collapse of the studio system: 1981-1990 -- The indies start to flourish: 1991-2000 -- Within a production bubble: 2001-2011.
520 $a"What might Godzilla and Kurosawa have in common? What, if anything, links Ozu's sparse portraits of domestic life and the colorful worlds of anime? In this book, Yomota Inuhiko provides a concise history of Japanese film that shows how cinema tells the story of Japan's modern age. Discussing popular works alongside auteurist masterpieces, Inuhiko considers films in light of both Japanese cultural particularities and cinema as a worldwide art form. He covers the history of Japanese film from the silent era to the rise of J-Horror in historical, technological, and global contexts. Inuhiko shows how Japanese film has been shaped by traditional art forms such as kabuki theater as well as foreign influences spanning Hollywood and Italian neorealism. Along the way, he considers the first golden age of Japanese film; colonial filmmaking in Korea, Manchuria, and Taiwan; the impact of World War II and the U.S. occupation; the Japanese film industry's rise to international prominence during the 1950s and 1960s; and the challenges and technological shifts of recent decades. Alongside a larger thematic discussion of what defines and characterizes Japanese film, Inuhiko provides insightful readings of canonical directors including Kurosawa, Ozu, Suzuki, and Miyazaki as well as genre movies, documentaries, indie film, and pornography"--$cProvided by publisher.
650 0$aMotion pictures$zJapan$xHistory.
653 $a人文藝術
653 $a文化創意
700 1 $aKaffen, Phil.