LEADER 03675nam a2200253 a 4500
001 852819
008 181005s2016 maua g b 001 0 eng d
020 $a9780262035149 (hbk.) :$cNT$1351
020 $a0262035146 (hbk.)
035 $aNO000162292
035 $aNO000162292
037 $b公共圖書館臺南分區資源中心
040 $aERASA$beng$eaacr2$cERASA$dYDX$dSEA$dCOH$dWAU$dOCLCF$dOCL$dDEBBG$dOCLCO$dWTU$dTXA$dOCLCO$dOCL$dCHVBK$dOCL$dTXI$dOCLCA$dOCLCQ$dOCLCO$dOMB$dUKTTE$dDLC$dTWTNM
050 00$aB105.E9$bE93 2016
082 04$a128.4$bE96$222
090 $a臺南市立圖書館
245 00$aExperience :$bculture, cognition, and the common sense /$cJones Mather, Uchill, eds.
260 $aCambridge, MA :$bDistributed by the MIT Press,$cc2016.
300 $a351 p. :$bill. (chiefly col.) ;$c26 cm.
500 $a"This book was supported by the MIT Center for Art, Science & Technology"--Page 2.
504 $aIncludes bibliographical references and index.
505 00$tSee-through compass /$rOlafur Eliasson -- Smelling Zöllner stripes /$tCarsten Höller --$tGradient flip /$rTauba Auerbach --$gForeword /$rLeila W. Kinney --$gI.$tOpening :$tModeling /$rCaroline A. Jones --$tMediating /$rRebecca Uchill --$tAnalogies /$rDavid Mather --$gII.$tSeeing :$tAmphibian /$rTauba Auerbach --$tProcessing /$rBevil R. Conway --$tMathematizing /$rAlma Steingart --$tMoralizing /$rMichael Rossi --$gIII.$tSounding :$tClosed book /$rAlvin Lucier --$tI am sitting in a room /$rAlvin Lucier --$tMusic for solo performer /$rAlvin Lucier --$tResonance /$rAlvin Lucier, Brian Kane --$tFeeling /$rAdam Frank --$tModulation /$rMara Mills --$tTransducing /$rStefan Helmreich --$gIV.$tSensing :$tActions /$rTomás Saraceno --$tSocial strings /$rTomás Saraceno --$tIntuiting /$rJosh Tenenbaum --$tTracking /$rNatasha Schüll --$tSelf of sense /$rLeah Kelly --$tLightning /$rDouglas Kahn --$tUnderstanding /$rAlva Noë --$gV.$tExperiencing :$tOn experience /$rTino Sehgal, Arno Raffeiner --$tBodily framing /$rVittorio Gallese --$t"Consciousness" /$rWilliam James --$tVisual and tactual /$rEdmund Husserl --$tHaving an experience /$rJohn Dewey --$tExperience process: space poems /$rRenée Green --$tExperience book /$rMichel Foucault, Duccio Trombadori --$tHistoricizing experience /$rJoan W. Scott --$tAisthesis /$rJacques Rancière --$tSensitizing /$rBruno Latour --$tWaiting for Gaïa /$rBruno Latour.
520 8 $aExperience offers a reading experience like no other. A heat-sensitive cover by Olafur Eliasson reveals words, colors, and a drawing when touched by human hands. Endpapers designed by Carsten Holler are printed in ink containing carefully calibrated quantities of the synthesized human pheromones estratetraenol and androstadienone, evoking the suggestibility of human desire. The margins and edges of the book are designed by Tauba Auerbach in complementary colors that create a dynamically shifting effect when the book is shifted or closed. When the book is opened, bookmarks cascade from the center, emerging from spider web prints by Tomas Saraceno. Experience produces experience while bringing the concept itself into relief as an object of contemplation. The sensory experience of the book as a physical object resonates with the intellectual experience of the book as a container of ideas. Experience convenes a conversation with artists, musicians, philosophers, anthropologists, historians, and neuroscientists, each of whom explores aspects of sensorial and cultural realms of experience. The texts include new essays written for this volume and classic texts by such figures as William James and Michel Foucault -- Provided by the publisher.
650 0$aArt and popular culture.
650 0$aArt$xPhilosophy.
650 0$aArtists' books.
650 0$aExperience.
650 0$aSenses and sensation.
653 $a文化創意
653 $a人文藝術
700 1 $aMather, David.$c(Art historian).
700 1 $aUchill, Rebecca,$d1978-
700 1 $aJones, Caroline A.
710 2 $aMassachusetts Institute of Technology.$bCenter for Art, Science & Technology.