LEADER 02747cam a2200241 a 4500
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008 220628s2022 nyua e b 001 0 eng d
020 $a9780197503379$q(hbk.) :$cUSD125.00
020 $a0197503373$q(hbk.) :$cUSD125.00
035 $aNO000223519
037 $b公共圖書館臺南分區資源中心
040 $aDLC$beng$eaacr2$cDLC$dOCLCO$dOCLCF$dN$T$dYDX$dOCLCO$dUBY$dUKOUP$dOCLCO$dTWTNM
050 00$aPN1993.5.T28$b2022
082 00$a791.430951249$223
090 $a臺南市立圖書館
100 1 $aLim, Song Hwee,$d1965-
245 10$aTaiwan cinema as soft power :$bauthorship, transnationality, historiography /$cSong Hwee Lim.
246 30$aAuthorship, transnationality, historiography
260 $aNew York, NY :$bOxford University Press,$cc2022.
300 $axvii, 226 p. :$bill. ;$c25 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: Cinema as Soft Power, Soft Power as Method -- 1. The Historiographical Turn: Documenting Taiwan New Cinema as Cross-Cultural Cinephilia -- 2. The Aural Turn: Hou Hsiao-hsien's Gendered and Material Voices -- 3. The Medial Turn: Tsai Ming-liang's Slow Walk to the Museum -- 4. The Industrial Turn: Ang Lee's Trans-Pacific Crossings as Cultural Brokerage -- 5. The Affective Turn: Little Freshness as Regional Soft Power -- Epilogue: Alien Resurrection; or, the Afterlives of Taiwan New Cinema -- Filmography -- Glossary of Chinese Terms -- Notes -- References -- Index.
520 $a"This book seeks to understand cinema as a form of soft power tool. It proposes Taiwan as a prime example of cinema's effect in assisting a small nation gain prominence on the international stage. It maps Taiwan's cinematic output in the twenty-first century through the three keywords in the book's subtitle-authorship, transnationality, historiography. Its object of analysis is the legacy of Taiwan New Cinema, a movement that begun in the early 1980s that has had a lasting impact upon filmmakers and cinephiles worldwide for nearly forty years. By examining case studies that include Hou Hsiao-hsien, Ang Lee, and Tsai Ming-liang, this book suggests that authorship is central to Taiwan cinema's ability to transcend borders to the extent that the historiographical writing of Taiwan cinema has to be reimagined. It also looks at the scaling down of soft power from the global to the regional via a cultural imaginary called "little freshness", which describes films and cultural products from Taiwan that have become hugely popular in China and Hong Kong. In presenting Taiwan cinema's significance as a case of a small nation with enormous soft power, this book hopes to recast the terms and stakes of both cinema studies and soft power studies in academia"--$cProvided by publisher.
650 0$aMotion pictures$zTaiwan$xHistory$y21st century.
650 0$aMotion pictures$xSocial aspects$zTaiwan$xHistory$y21st century.
653 $a文化創意
653 $a人文藝術