LEADER 01739nam a2200253 a 4500
001 1048771
008 200930s2019 enk 001 0 eng
020 $a9781108466691$q(pbk.) :$cNT$601
020 $a1108466699$q(pbk.)
035 $aNO000197039
037 $b公共圖書館臺南分區資源中心
040 $aUkCbUP$beng$cUkCbUP$dTNTNM$eaacr2
043 $ae-uk-en
050 00$aPR3081$b.C93 2019
082 00$a822.3/3$222
090 $a臺南市立圖書館
100 1 $aCrystal, David,$d1941-
245 10$aPronouncing Shakespeare :$bthe Globe experiment /$cDavid Crystal.
250 $a1st paperback ed.
260 $aCambridge :$bCambridge University Press,$cc2019.
300 $axviii, 194 p. ;$c21 cm.
500 $aIncludes index.
505 0 $aIdea --Proposal -- Evidence -- Rehearsal -- Performance -- Consequences.
520 $aHow did Shakespeare's plays sound when they were originally performed? How can we know, and could the original pronunciation ever be recreated? For three days, Shakespeare's Globe presented a production of Romeo and Juliet in original, Shakespearian pronunciation. In an unusual blend of autobiography, narrative, and academic content, David Crystal recounts the unique nature of the experience. He begins by discussing the Globe Theatre's approach to 'original practices', which had dealt with all aspects of Elizabethan stagecraft - except pronunciation. A large section is devoted to the nature of the Early Modern English sound system. There are reports of how the actors coped with the task of learning the pronunciation, how it affected their performances and how the audiences reacted. In this new edition, he reflects on the development of the original pronunciation movement across the world, since the Globe's experiment.
600 10$aShakespeare, William,$d1564-1616$xLanguage.
600 10$aShakespeare, William,$d1564-1616$xStage history$zEngland$zLondon.
600 10$aShakespeare, William,$d1564-1616.$tRomeo and Juliet.
600 10$aShakespeare, William,$d1564-1616$xStage history$y1950-
610 20$aGlobe Theatre (London, England : 1996- )
653 $a人文藝術
653 $a文化創意