LEADER 02602cam a2200253 a 4500
001 56147
003 TNML
005 20161017093736.0
008 180319s2015 ctua e 000 0 eng d
010 $a2015028463
020 $a9780300215298 (hbk.) :$cNT2427$
035 $aNO000105114
035 $a883146
037 $a公共圖書館臺南分區資源中心
040 $aYDXCP$beng$cYDXCP$dOCLCO$dUkOxU$dTWTNM
050 00$aN6920$b.R545 2015
082 0 $a709.456$222
090 $a臺南市立圖書館
100 1 $aRobertson, Clare.
245 10$aRome 1600 :$bthe city and the visual arts under Clement VIII /$cClare Robertson.
260 $aNew Haven :$bYale University Press,$c[2015?].
300 $aix, 449 p. :$bill. (some colour), maps, plans ;$c29 cm.
504 $aIncludes bibliographical references (pages [402]-435) and index.
505 0 $aClement VIII and Aldobrandini Patronage -- The Cardinal Nephew : Pietro Aldobrandini -- Palaces, Villas and Gardens -- Churches and Chapels -- Lives of the Artists -- Appendix 1. Pietro Aldobrandini's Collection of Copied Paintings and Antique Sculpture in 1603 -- Appendix 2. The Palaces of Rome during the Reign of Clement VIII, with an Index -- Appendix 3. The Household of Cardinal Pietro Aldobrandini, January 1610.
520 $a"Rome in 1600 was the centre of the artistic world. This book examines the art and architecture of the city around that date, at a time when major innovations especially in painting, were being made, largely due to the presence of Annibale Carracci and Caravaggio. 1600 was a Jubilee year, which offered numerous opportunities for artistic patronage, whether in major projects such as St Peter's, or in lesser schemes such as the restoration of older churches, as part of an growing interest in the early church. New religious orders, such as the Jesuits and Oratorians, also required new forms of decoration for their recently built churches. The book considers the patronage of the pope and his nephew, Cardinal Pietro Aldobrandini, as well as major families including the Giustiniani, Mattei and Farnese. Rome was a magnet for artists and architect from all over Europe, who came to study the remains of antiquity and the works of Michelangelo, Raphael and Bramante. The sheer variety of artists working in the city, who came from other parts of Italy, as well as northern Europe, ensured a wide variety of styles, and at times innovative cross-influences. The numerous patrons of the city were spoiled for choice. The book draws on a wide range of contemporary sources and images to reconstruct a snapshot of Rome at this significant time"--$cProvided by publisher.
600 00$aClement$bVIII,$cPope,$d1536-1605$xArt patronage.
600 10$aAldobrandini, Pietro,$d1571-1621$xArt patronage.
650 0$aArchitecture$zItaly$zRome$xHistory$y16th century.
650 0$aArchitecture$zItaly$zRome$xHistory.
650 0$aArt, Italian$zItaly$zRome$xHistory$y17th century.
650 0$aArt, Italian$zItaly$zRome$xHistory$y16th century.
651 0$aRome (Italy)$xBuildings, structures, etc.
653 $a文化創意