LEADER 02661nam a2200253 a 4500
001 853066
008 181005s2017 nyuacf g b 001 0 eng d
020 $a9781107040724 (hbk.) :$cNT$3004
020 $a1107040728 (hbk.)
035 $aNO000162181
035 $aNO000162181
037 $b公共圖書館臺南分區資源中心
040 $aDLC$beng$eaacr2$cDLC$dDLC$dTWTNM
050 00$aNB94$b.K685 2017
082 00$a733/.3$bK88$222
090 $a臺南市立圖書館
100 1 $aKousser, Rachel Meredith,$d1972-
245 14$aThe afterlives of Greek sculpture :$binteraction, transformation, and destruction /$cRachel Kousser.
246 30$aInteraction, transformation, and destruction
260 $aNew York, NY :$bCambridge University Press,$c2017.
300 $axv, 309 p., [8] p. of plates :$bill., plans ;$c27 cm.
504 $aIncludes bibliographical references (p. 265-289) and index.
505 0 $aThe Afterlives of Greek Sculptures. Dangerous afterlives : the Greek use of "voodoo dolls" -- Use and abuse : toward an ontology of sculpture in ancient Greece -- Barbaric, Deviant, and Unhellenic : Damage to Sculptures and its Commemoration, 480 BCE-30 BCE. "Barbaric" interactions : the Persian invasion and its commemoration in early classical Greece; -- Deviant interactions : the mutilation of the herms, oligarchy, and social deviance in the Peloponnesian War era; -- Collateral damage : injury, reuse, and restoration of funerary monuments in the early Hellenistic Kerameikos -- State-sanctioned violence altering, warehousing, and destroying leaders' portraits in the Hellenistic era -- Concluding Material. COnclusion : the afterlives of Greek sculptures in the Roman and early Christian eras.
520 $a"The Afterlives of Greek Sculpture is the first comprehensive, historical account of the afterlives of ancient Greek monumental sculptures. Whereas scholars have traditionally focused on the creation of these works, Rachel Kousser instead draws on archaeological and textual sources to analyze the later histories of these sculptures, reconstructing the processes of damage and reparation that characterized the lives of Greek images. Using an approach informed by anthropology and iconoclasm studies, Kousser describes how damage to sculptures took place within a broader cultural context. She also tracks the development of an anti-iconoclastic discourse in Hellenic society from the Persian wars to the death of Cleopatra. Her study offers a fresh perspective on the role of the image in ancient Greece.It also sheds new light on the creation of Hellenic cultural identity and the formation of collective memory in the Classical and Hellenistic eras"--$cProvided by publisher.
650 0$aArt and society$zGreece$xHistory$yTo 1500.
650 0$aSculpture$xMutilation, defacement, etc.$zGreece$xHistory$yTo 1500.
650 0$aSculpture$xPsychological aspects.
650 0$aSculpture, Greek.
653 $a文化創意
653 $a人文藝術